Making Not Taking Photographs

Backstage views on making photographs professionally

Posts Tagged ‘associated press’

Getting Fired by the Associated Press

Posted by Mike on January 30, 2014

January 2014:

I am an ex UPI employee so I don’t care much for AP (they act too much like a monopoly and helped kill UPI for one thing)… I would never work for them because of their “work for hire” “rights grabbing” contract anyway.

But it is bugging me… this last thing when they fired one of their well thought of photographers for spotting out a distracting element in a photo. For the record… I have never produced a photograph for newspaper or magazine that wasn’t painstakingly burned, dodged, spotted for dirt, treated with potassium ferricyanide, cropped, selected over another photo for artistic or informational rationale, or had the color or tone shifted to make it a “better” photograph capable of conveying the situation in the best way possible to the end reader.

That’s what we all want is for the photo to be transcendent… (not in the way of the information).

AP cut ties with Contreras publicly after the photographer informed the wire service that he had removed a video camera from a corner of an image of a Syrian rebel soldier taking cover during a fire fight. Contreras says he knew it could end his relationship with AP, but that he didn’t expect to be shut out of the process.

AP-photoshopWas this firing really necessary? Was the picture compromised? I doubt it. Really, the picture doesn’t tell you much anyway so that presents another problem where the cutline writer can spin it anyway he/she wants. (In the old days Pravda was humorously famous for making up cutlines that were just  amazingly fake.)

Here are two examples of my own work which would probably get me fired I guess. When it comes to the scenic of the boat which photo is fake? As far as I am concerned the retouched one is actually more accurate than the dead looking one from the unprocessed RAW image the camera produced.  Under AP rules are we supposed to be stuck looking at dead, automaton generated purely “documentary” crap a camera produces. Then I guess you don;t need photographers to interpret the RAW file because there is no need for “artistic” or “explanatory” efforts in news photography, right? What a load of crap IMHO.

023sunset-2 023sunsetIn another example I worked on a food shoot yesterday. And I am always looking for a better way to enthusiastically promote my client’s efforts to produce a quality product and sell more stuff (so they can afford to pay me help them sell more stuff).  But back to “accuracy” Which photo is more accurate?

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